#  AI AS PERFORMER 

 



####  calendar\_today Date and Time 

 **September 27, 2023** 

 02:00PM - 02:00PM EDT 

####  pin\_drop Location 

 **Online**  



 

 



 



 

## [TRANSMEDIA ARTS](/transmedia-arts)

## SPEAKER: Nina Tecklenburg, Bard College Berlin, Germany

One of the most fascinating aspects of the newest generation of chatbots seems to lie in an increased level of theatricality: self-learning machines such as ChatGPT impress with their ability to engage in vivid dialogue, to create empathy, to (re)act spontaneously, and to charm by critically self-reflecting on the “artificial” nature of their real effects. Meanwhile, ChatGPT users immerse themselves in giving directions - prompts - and revel, mostly also self-critically, in the suspension of disbelief created by the AI. Although playing with AIs on stage is as old as computer technology itself, the emergence of the latest AI systems not only brings new technical possibilities for the performing arts but also raises the question of how much 'theater' is inherent in AIs. It prompts us to ask how theater and performance change in the context of digital culture and how theater, as both a social and artistic/artificial event, can reflect the hidden mechanisms and impact of the latest digital technologies on our social lives. The lecture addresses these issues by giving insights into past works and current rehearsal processes of the Berlin-based performance group Interrobang ([www.interrobang-performance.com](http://www.interrobang-performance.com)), which has been experimenting with the relationship between theater, participation, and digital culture for more than a decade.

### About the Speaker

Nina Tecklenburg is an artist-scholar and professor of theater and performance at Bard College Berlin. She is a co-artistic director of the performance group Interrobang and has collaborated with award-winning performance artists and groups such as Gob Squad, She She Pop, Lone Twin Theatre, Baktruppen, and Rabih Mroué. In 2017-18 she was a guest professor at Ernst Busch Academy of Dramatic Arts Berlin. Her current artistic and academic research interests include theater and digital culture, new narrative practices in contemporary performance, politics of participation, performance activism. In 2021-22 she was a co-researcher of the research project *Viral Theatres* (VolkswagenStiftung). She is the author of *Performing Stories: Narrative as Performance* (Seagull Books 2022, German original: transcript 2014). She recently co-edited *Hybrid Futures. Theatre and Performance in the Post/pandemic Anthropocene* (International Journal for Performing Arts and Digital Media, 2023) and co-directed *Chat Inferno* (2022, nominated for Heidelberger Stückemarkt) and *Die Philosophiermaschine* (2020, invited to Ruhrfestspiele Recklinghausen).

### How To Join

Please add your name and email address to [this registration page](https://zoom.us/meeting/register/tJEsdOCprzkuEtPHcNXZ5Rpnf35d6qNUoUtK). After registering, you will receive a confirmation email with a link and passcode to the event.

If you have any questions, please contact Magda Romanska at magda\[at\]metalab.harvard.edu

This event is co-sponsored with [metaLAB](https://mlml.io/) (at) Harvard.



 

 

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 Attachments- [  image  nina\_poster.jpg ](/sites/g/files/omnuum4936/files/mahindra/files/nina_poster.jpg)
 
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 See also:- [ Seminar ](/event-type/seminar)
- [ Transmedia Arts ](/seminars/transmedia-arts)
 
 

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